Thursday, July 30, 2009

Cat Chow Coupons December 09

"The Unanswered Question" by Charles Ives (inquiring with the orchestra)



Unanswered Question by Charles Ives.


One of my favorite pieces in American classical music is The Unanswered Question of Charles Ives. Sometimes referred to as a "cosmic drama" or "cosmic landscape", the piece is divided into three levels. These, in turn, represent three different voices that form a short but profound philosophical dialogue. As a first layer, Ives design a calm melody for strings, with no major disturbances or abrupt musical. They represent a constant and stable platform, also not affected by the other two voices. The meditative state of the strings is the silence of the Druids (who do not know, neither see nor hear anything.) The second narrative or interrogative force is represented by a trumpet (though not necessarily, Ives notes that could be used to turn an English horn, an oboe or clarinet). The trumpet that involved seven times and each one raises the perennial question of existence, the eternal quest for enlightenment (the very essence of existence). The third voice is played by the winds, who for six interventions are rushing to answer the complex question of the trumpet. The winds, which are struggling to respond, they represent our human responses, and the futility of finding a rational answer to this philosophical and mysterious question. In their interventions, increasingly dissonant and hurry, the wind trying enconcontrar an answer but fails to achieve a sentence, passage, or a satisfactory range.


Seven times he asks and answers six times, leaving the last question unanswered thus creating a kind of silence and impotence (in frustration) when answering the eternal question of existence . In the end, the winds are silent and desist to articulate any alternative. The strings continue unchanged his pretty little tonal progression and so the question is left unanswered whatsoever.


There is a text with collage composed by Ives himself, who according to David Jaffe goes well with the piece,



Yearning for the impossible

Credo quia impossibile.


Pure ... sorrow is as impossible as pure ... joy.


The replacement of the proletariat by the bourgeoisie is impossible without violent revolution.


I am the Prophet of the totally absurd,


the Visible Impossible and Vain.


still bent to build a port without knowing where,


still erect into a false impossible shore.


How many times have I told


that when you have eliminated the impossible,


whatever remains, however improbable enough,


be the truth?



Wednesday, July 29, 2009

Uti After Brazilian Wax

The "Caminito" Cacho Tirao



Monday, July 27, 2009

Kates Playground December

master of stillness Haiku


Smoke Path Guy Ambrosino





The room still.

as a thread becomes longer,

thin smoke






Juan Felipe Hernandez
Gainesville 2009


Thursday, July 23, 2009

Pentax 110 Lens Adapter

Sancho, American, Don Qujiote, South


Illustration Natasha Turovsky

For Professor Armon.

Don Quixote and Sancho. The eternal couple of differences: particularly historical idealism, practicality, literary culture, oral tradition, the eternal dichotomy of literature. All these comparisons have been studied for years excelling Cervantes scholars, who from all perspectives, analyze the personalities and the atoms that make up the two. However, yesterday, while reading an article related to the economic situation English in the days of Don Quixote and Sancho's salary drama, I came to my mind a curious connection. We all know our dear Sancho. Sancho the pragmatic, the dispenser of proverbs, the preferred 100 ducats on an illusory island, Sancho simple worker and, finally, a character vastly opposed to the old Don Quixote. Sancho apprehends as wealth flows and how the system works. Sancho is quick, like a good farmer, to identify what is really important for him to accumulate wealth, hunting his daughter to an earl, and earn the much-promised island.

With this in mind I came Profile at the forefront of connecting Sancho with a set of particles and trace very American. Conscious and conditioned separation between my environment-Protestant, Anglo-speaking and mainly a southern-American and me hit by a permanent and pervading cultural Catholicism, but small-town upbringing and large farm (in short, carrier a series of knowledge and ignorance very different from those of my fellow Americans).

course, not only my person adapts to this comparison, maybe this imaginary activity may comprise the whole Latino or Latin American. The citizen walk from any English-speaking city. Taking this starting point, Sancho has long been the quintessential American, simple, without major appearances and an air of royalty (as opposed to us). Sancho is practical, with both feet on the ground and ready to get juice to any adventure, much like our American neighbors as a result of its methodology Protestant, becomes obsessed with the important things and major practical reality. While Don Quixote dreams of someday being able to pet Dulcinea, to slay giants and righting wrongs (undo injustices), while he lives in his world of fantasies and phantoms (a quasi-Macondo Iberian unfolds in your head), the wily Squire continues to entertain in his mind as long-awaited rule the island, of course ignoring the outset that it is an island!

Sancho makes calculations and projected earnings with the blessed balm fever (depending on the sad figure, is as magic as a powerful healing when knights-errant). Here I come to mind these insatiable and endless counters between figures and calculations that predict and prevent future tragedies. I see them almost every day behind their desks, while counting on presuesto of my university. Don Quijote far his side, and more like that storyteller and "artist" of those that abound in our country plunges into long monologues, enjoy the description of his Dulcinea, and generally live in a much more artistic, but also, more cumbersome and difficult to maneuver. Don Quixote, as Latin America has been unable to distinguish reality from fantasy Macondos region are numerous and where the prospect of capital is so different from the perspective of the province. Through two separate dreams, believe we live in palaces and not humble sales, we believe we are descendants of illustrious and pure gentlemen and no mixing. We believe that we read and learned, especially when we compare with the "gringos" and accuse of ignorance and provincialism. In fact we are more gullible than we think. We find it very easy to point and point others' mistakes. Easier than it should. And as we look over his shoulder to Sancho and his vile behavior, it surprises us with his spirit of capitalism and its simple nature. Sancho, though no king or emperor was for many days, represents the triumph of the pragmatic over the ideal, the triumph of simplicity and efficiency on the verbiage and the rhetoric of Don Quixote Campanula. Sancho, from north of the Rio Grande, quietly watching us to Don Quixote and all of us, their descendants.

Wednesday, July 22, 2009

What Is A Good Heart Rate At 34 Weeks Pregnant

Haiku for my Mother






plain, fog,

cold water, the stones,

randomly placed






Juan Felipe Hernandez
Gainesville 2009