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HOME ORDER REAL * Poeta De Torres


http://www.youtube.com/watch?v=-MZJiJ48AcE

HOME ORDER REAL * Poeta De Torres


Royal House plans a special act urgently, "Entre Comillas"
"His Majesty expands the unit.
those who kneel knees "

The city where you live,
the house where he lives,
Quarter speaking,
the continent to seek asylum ...

always be love, because it develops

and life-threatening if it is
smile evaporates.

But The Great, wept,
time, preventing the evil,
envisioned, trenches, fighting,
not promote peace.

Royal House prepares its soldiers to move through intricate

paths and so forcefully remove halles,
that give the indented bands.

Al dessert solemn entry, a trumpeter simulated
effigy
with silky blown gasitas
to serve stubble to baldness.

soleá Dadavel is a garden where the plow
watered as servants, who began by twelve
and
suspense as deer shed their spin.

is easily seen that the mountain has a drop of sweet
container, where it
compass and a straight stitch final
inconsistent.

Royal Family rose to King Throne
over kingdoms and villages
want to be seen as anyone,
are in offices or plows.

With cards and dice not win,
but with the rays of the Infinite, salsa
vital because the human body is prostrate
and serve God Blessed. What causes

bite the fray? Mimicking damaged
yesterday,
so, this is the sounding
and should be protected from things strangled.

The hair of the Cedar Quantum and a thousandth
are protected
counted, and absolute quiet, personal
, different and sacred.

In all Colorado charisms
hear the song of Truth
and not seeing the Great in the wall
was his cause of weeping and sorrow. Lesson

, justice, peace, resolution ... Probable
compensate and walking.
One point and one point and a line ...
The way to get to the Song. Cando

arrives April
The Nevada want to be with you to give
The Bread that I feed and caress Water
my God, to be soldiers.

In the twentieth century and one and two thousand and nine
The King put his kingdom in humans,
- your body, your senses, your thinking -
of all who are in their hands.

published continuously Royal House
Special Decree Between Comillas
"His Majesty extended dependency.
those who kneel knees "


Jesus Torres Cabezudo Spain, Alicante, November 21, 2009



/

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NOE, and SHIP LOT 2009



My Poem recited in composition of video ... PRESS
NOE, and SHIP LOT 2009 * Poeta De Torres began to sparkle


one morning in the big parties and most beautiful. When
sent their servants
that covered her hair with silk.

But rising water early morning rain
becoming a typhoon, I drag
golden bowls of incense and jade
the deepest site of a corner.

not stop. Increased. And there comes a point
that every living being, torn
could no longer enjoy life as it choked
terror, helpless ..

A proactive and consistent man,
who prayed and praised God the Creator,
received the mission, in its way, a ship
create large and heavy.

Noah obeyed and when you finish,
embarkation to his family and animals,
being the continuation of existence in this present
watch the seas. Equally

similar in the final
this happened to a Lot, came quickly,
of a city where pleasure won,
without fear of the Lord great and perfect.

Jesus said these two cases,
to avoid these centuries,
that the same forever,
without possibility of life and children.

clear and concise statement said that the living, yet
last as long as possible, enjoying
unwittingly to similar
lose this treasure essential.

As continuity
explained that you must accept to lose the World
and thus, supporting the day,
avoid falling into the deep.

Two Thousand Nine In this Great Ship
its doors have Open to Light, asking only
, The Keeper,
accept being a good servant of the Cross.

This ship floating flow to the Kingdom,
all willing to believe, that are known
useless and frugal,
and therefore trust in Him

Rise to take your meds. Go
looking good and cheap. Hold your diction
Congresses.
And A Father Reza, every time.


Jesus Torres Cabezudo Spain, Alicante, 13 November, 2009

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TALK REVOLUTION AND WHISPERS




My poem, recited in composite video ...

PRESS TALK * Poet Listen

Torres, Where is the sun?

For in the sky.

Lies

Anda, Poet, and we
with your visions and tricks!

Well, look,
The Sun is in the heart, if you want.
For example, if you think in the beautiful
you like ...
How to light a fire you
like Russian roulette?

course, but that is not sun but
Enceladus
happens to me but not to a
over 1100. Just

! You've been right. As the sun

proposing more than any
jealous and you from nonsense.

If you're talking nonsense,
I scratch my belly,
for that means you're big
and your sun do not avoid it.

Again you're wrong, buddy
hear me, because my Sun
scheduled
me to tell you,
can be with any
that allows your stay.
and clear, if I give in plan
roll deep and solemn aburriríais I heard

very thing ever.

Anyway, please
want to clarify things,

conversation because my head is a bomb.

Well!
The Sun that warms always, is a metaphor for God

and this old man that is its simple parliamentary
server.

Well ... Now I understand ...
what you get,
is, using ideas,
enter your feeling. You

successful. And now,
going to have a drink ...
Calls For The Sun, which like.
Insurance is paid.



Jesus Torres Cabezudo Spain, Alicante, November 9, 2009

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Caravansary No. 4 & 5



I allow the teacher to play a Caravansary Mutis. The word of Persian origin defines a stopover, a download of luggage and think about tomorrow you start debugging on the same mind: a refuge from the wind, the desert. Alvaro Mutis writes some "caravansaries" and collects in its magnificent and brief book of the same title. Printed in 1981 by Fondo de Cultura Economica, "Caravansary" allows us to approach a total Mutis. This this the warm weather and tropical rusts and wears the machines and people, the European Mutis, elitist, military and Royal, also Mutis of misty mountains and stop in Colombia, the lofty hostels in cold and remote locations inhabited by peasants and memorials as their Gaviero characters.

I informed my closest and small number of readers currently am running relevant applications for admission to a university to continue my studies. For this reason I have neglected the creative work and criticism that enriches the blog. I hope very soon re-start a steady and appropriate. Those who read, thank you and I apologize for these long pauses. I want to thank Nicolas Hernandez Charpak mainly by their errands, their hospitality and great kindness and simplicity, I wish him well in his Endeavors intellectuals and scientists. _____



4

I am the captain of the 3. St Lancers of the Imperial Guard, commanded by Colonel Tadeuz Lonczynski. I'm going to die from injuries received in an ambush by the Corps of Sappers deserters of Hesse. Splash in my own blood every time I try to Back Search the impossible pain relief of my bones shattered by shrapnel. Before the blue glass of agony invade my arteries and confuse my words, I confess here my love, my messy, secret, huge delicious, drunk love for the Countess Krasinska Krystina, my sister. May God forgive me the arduous vigils fever and wish I went through it, during our last summer at the cottage of our fathers in Katowicze. In every moment I learned to keep silent. I wish I note shortly, when he appears before the presence Ineluctable. And to think that she would pray for my soul next to her husband and their children!

5

My job is to thoroughly clean tin lamps with which the lords of the place out at night to hunt the fox in the coffee. Dazzle him suddenly faced these complex artifacts, stinking oil and soot, which darken quickly through the work of the flame in an instant, blinding the yellow eyes of the beast. I've never heard him complain to these animals. Always die stunned prey because they fear the unexpected light and free. Last look at his tormentors like meeting with the gods to turn a corner. My task, my destiny is to keep bright and ready for this grotesque brass and short night VENATORIA function. Y I dreamed to be a busy day traveling through the lands of fever and adventure!

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My Poem Recited in Video Compueso ...
PRESS REVOLUTION AND WHISPERS

* Poeta De Torres

Revolution approaches colorless
a great space of the mind
and within the food was not pasta,
due to a resurgence of the absorbent. Youth

platinum, his charisma, the Great Sage aspire
his dictation,
as the chainlink fence, high voltage,
have them without the compass of the magician.

Network is broadcast in diversity, quantum
color, love, romance
heat of a moment,
and The Simple Truth is. Assessed. Hand

shoulder with Rock, peers,
want to get off the infinite blue
and the Angel whispers and I mean:
"Thinking Beyond, without strain"

"Perfection is to live intensely,
knowing that death is just a trance. Every moment

gozándolas use properties itself and the walker

"That way through the door, finding
behind Him Who created thee,
on your body which
Wealth poured for being a server.
Is The Ultimate Revolution,
the time we live in this environment,
not tilt the head to the wealth
and bend the knee to the King of Forever.


Jesus Torres Cabezudo Spain, Alicante, 7 November, 2009

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The Smetana Vltava

The Vltava is the second in a series 6-Smetana symphonic poems he dedicated to his home region, Bohemia. The Vltava in Czech Vltava River appointed , describes the environment and natural surroundings of the area, focus on the structure and character of the piece. I choose the Vltava the entire collection of 6 poems, Má vlast , My homeland, because they are musical elements and resources Smetana lightly used to describe the mythology surrounding the famous river and that was perhaps one of my first contacts with the music of the great Smetana. It was perhaps the most nationalistic piece I remember hearing a early age, of course, the second after the anthem of Colombia and the barbarian hymn of Santander. As a curiosity, any resemblance to the Hatikva Israeli is more than coincidence. Smetana was based on an old song of Italian Renaissance building vertebras Vltava : similarly, the Israeli national anthem is based on symmetry parallel to the ancient melodic line.

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* Poeta De Torres WISDOM




WISDOM * Poeta De Torres

On a whirligig, tomato,
down an electric cable improvised
to appreciate the taste and take
quiet clean power into the stew.

vegetables that the field of this World,
resurfaces in virgin forest or crop,
are unprecedented miracle, incomprehensible, already accepted
Brother Primitivo.

At many of the edge of the night,
the heat spreads to infinity
and instantly, an invisible liquid, printed
the living with their rite.

lineage has hands and teacher,
because instead of eating the stars,
chews, sweet flesh of living with his teeth rehilantes
maidens.

The monkey stands behind the leaves,
in steep tree house;
huddled with his wife and children asleep
nervous and off.

Good afternoon, Don Pepe, says John,
how you go with your injured in the womb?
Well look ...
Flea Market and preparing the family dinner with great skill.

A wise man sat on a step,
studying why so serious evil,
a hundred years, without power
discover the source of mystery.

saw the beard brushing his lapel,
his skin like a desolate wilderness, sunny eyes

roaring and twisting and finishing power.

So took pity on his soul,
desire to become a poor clay,
sadness of living and being born,
he could not, any more, pull the car.

A light, like lightning glorious
brightened, suddenly, his figure
telling to do in these cases
and strongly pushing for a fortune.

in the wall, giant letters,
wrote what he heard in his soul:
not continue studying "The What and The How"
live the moment with love and calm.
was Wisdom who invaded.
sending God, that everything can:

"Make the Man born
Nothingness and welcome you, then In Your Residence "


Jesus Torres Cabezudo Spain, Alicante, 24 September, 2009

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Totalitarianism (dossier) in EI

Dear readers, from the middle of a cold war against intrusive and more stringent closure that prevent the spread of malicious viruses, I attached the link of the dossier of "Music and Totalitarianism," which was published three days ago in Emilio space Ichikawa. Gerardo Muñoz, close friend, has taken the initiative collect a range of views on Juanes concert in Cuba and has proposed to his closest friends to create a form letter for this project. With voices as diverse as Sprinceana Iulia, who writes from Romania or Romy Sanchez, a young Cuban who writes from New York, the dossier is not intended to fill all the spaces have not been filled in over a month of debate and controversy, or much less take the dispute to the level of students and extend it with our own voices. What the project aims is to form a collection of notes very personal and very different that can complement and enhance each other. Hope you enjoy it.

Link to Emilio Ichikawa

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Re-creating a portrait of the Infanta Catalina Micaela, by Alvaro Mutis

reproduce a portrait, a peaceful and detailed look, perhaps a long period of silence and concentration in the Prado. The great Mutis, staggering from the stunning and sensual innocence of the Infanta Catalina prints some lines and attached to its bundle of letters. Months later, the bunch charge as a book and published under the modest name of no Regia Chronicle and Praise United . In this volume, the poet of the hot, forget a little of his beloved Tolima and Coello, to elaborate on the theme warrior monarchy, in the golden Byzantine and English royalty.

RETURN TO A PORTRAIT OF THE CATALINA MICALEA Infanta, Daughter of King Philip II

Something is in the lips of this young lady,

some Malicious wonder in his eyes,

strabismus with even offers us

absorbed

the stigma of the elect,

something in its strong transport between Andalusia and Tuscany

I stopped halfway

and only gives me the occasion to praise

from the reverent distance from these lines.

well not hide the fire of their dreams,

the proud carriage of his head alert

erect or neck caught in the white ruff,

nor mourning dress that encircles her waist.

Nor courtly air of mourning

manages to hide the traces of his blood Valois

cloudy sap mixed with Florentine.

Death has to take when

thirtieth anniversary. Ten children gave her husband

the Duke of Savoy. It was tender with his father

and Turin remained a English queen.

lathe to look at the canvas he painted Sánchez Coello

when the princess had not yet eighteen years

and invade me, as long as I come to visit

Prado to this corner of the guard.

nearly anonymous in a modesty, a desire to fool

removal from the lethargy of centuries world

and take the arm and invite them to lose

in the maze of false a summer without end.

Regia Chronicle and Praise in the Kingdom.

Ediciones Cátedra, Madrid, 1985.

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The murder of Moses and Monotheism import; psychoanalysis of religion

This short letter was in response to the exposure offered by Professor Eric Kligerman during the last semester in the department of secular Jewish culture teacher Kugelmass.

Moses and Monotheism

of Sigmund Freud is written in a dense, rich interdisciplinary connections, links speculative and framed in a historical period, Europe, 1939, very interesting. You can see that Freud's intentions go beyond the formulation of counterfactual questions about the birth of monotheism and the nationality of Moses. Their task is to apply psychoanalytic methods to study the earlier stages of the Jewish faith and thus help explain some of the many patterns of trauma, the connection between Judaism and totemism, the mystery of guilt with the murder of the primal father , then the murder of Christ, and how they are related to the development of Christianity. Freud is vital to the concept of distortion ( verzerrung ) than in the original, in German also means defacing, removal, Shifting. To adequately address the traditional narrative presented in the Bible, Freud need some tools that could be used to build this new Genesis de la religiones monoteístas. Freud comienza por utilizar el concepto de distorsión para argumentar que la Biblia, como la conocemos en el estado actual, es el producto de innumerables alteraciones, y que el texto, a su vez, no es puro, ni inspirado por el divino, sino mas bien está sujeto a numerosas interpretaciones: errores de traducción, omisiones, atajos gramáticos, y otros accidentes que con el pasar de los años han sido reconciliadas, incorporadas y asimiladas dentro del gran marco del texto. Como resultado, obtenemos un escrito tan desacertado y modificado que presenta a un Moisés longevo y que muere a solo metros de alcanzar la tierra prometida de Israel. Para Freud, nada pudiese estar mas lejos de la verdad. La figura Moses, in fact, is composed of the existence of 2 men who lived during different periods of time and had a major impact on the lives of the Israelites, but that they did not even know and who contributed so very dissimilar to development of the Israeli experience. Moses was the first shaping the idea of \u200b\u200bmonotheism during the eighteenth Egyptian dynasty (the Tutmosiana) - and brings from his homeland to offer it to the Jews. Moses was the first who frees his brothers Hebrews from Egyptian bondage. There Moses is attacked by his own people since the myth of the primal father's murder case and sits in the memory of the children of Israel. Freud argues that this event serves to unravel the hidden trauma, repression, and repetitions that assault the unconscious of the group.

In the second part of his essay, Freud meets to discuss the influence of a great man and define what a great man that says it is just the sum of aggressive impulses to act but a brilliant intellect, has a profound impact on the destiny of a people, whatever. As an example, Freud uses to Moses and the legacy that he left the Israelites, Moses was able to create a system in which the god of the Israelites was invisible, odorless, nameless (because he had no particular name) not needed symbols or images to receive worship, a sort of minimalist approach to reduce the worship of the cult, and the creation of an excessive folklore around his name. This is how over the centuries and the application of rigorous study dedicated tradition of this god, Freud presents a triumph of spirituality over the senses. That is, a metaphysical triumph over sensory experience. Subsequently, through the accumulation of centuries of philosophical questions would develop a triumph of reason over spirituality. But not to enter into extensive discussions on these susecivos paradigm shifts, let's just follow the line of Freud vis-à-vis the first exchange: sensory versus spiritual. Using his terminology, a super victory the collective ego. Subsequently, the relationship between God and the Israelites, a pattern develops into instinct renunciation and rises to the idea of \u200b\u200bethical perfection. Freud argues that this "evolution" of religion, parallel according to the natural evolution of Darwin, has produced an admirable belief in a divine overwhelmed by reason and science. "

repression of instincts and impulses partners, which will in turn gave way to the appreciation of intellectual work and the fruit, but the concept of the chosen people (Together with its implications of being single and the responsibility to comply with an agreement), were decisive in laying the early structures of that much later would develop as fundamental concepts, first in the Jewish religion and later in the Crsitianismo and Islam. Upon reaching the last sections of his book, Freud returns to the ideas of repression, the historical distance of the period and the mechanisms that contributed to the formation of this neurosis property of the Jewish religion. One point that is most striking here is the fact that although there is no evidence that would confirm the murder of the primal father, Freud insists that if there is a trace that extends over the centuries by the plane of time and lives in the Jewish subconscious and more importantly, it can be represented in what we call tradition. In other words, the various rituals and celebrations typical of Judaism are only replicas of fears and latent traces (marks or scars maybe) that occur and have impact on the Jewish experience throughout history. The study of Moses and Monotheism is of importance due to its wide range of issues to consider, the depth and originality of his theories that cross traditional disciplines and to reveal Freud's thinking about political events in continental Europe during his writing , and his thesis on the formation of the monotheistic religions.

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The Jewish Cemetery [article in espectador.com]

Re-produce a short article of interest I found in the Colombian newspaper El Espectador . The Curious Case of Bogota that be suddenly dismissed by his construction company run into more elaborate work (yet stable) of his life, Edilberto Perez is the Hebrew cemetery guard South.

The need and working conditions forced him to live with and deceased (during his first weeks at least) to spend long nights of anguish at the mercy of night sounds, the darkness of the land and the solitude of the cold marble. The experience of a Colombian Catholic and current care, sweeps, and shines the gilded Hebrew letters the Jewish cemetery Bogota.

Jewish Cemetery

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FIRST
Water your plants * Poeta De Torres

Mister Big Dire Of Everything ,
with his assistant Don Pilla,
lost in the corridors of a mansion
their villas

Pilla, do not you have plans?
then, for a time here,

not find the toilets and I'm breaking ..

My Lord, do not worry, Sister
below this box,
that comes from auctions,
can leave large talc.

addition, whoever you are, rich
improvisation
keep it between her jewelry and diamond
lemon .. ***



This happens in this world with thousands of millionaires
,
that
all they want is to live, well, many years.

And today, people
normal, ordinary,
are faring very badly to see luxuries are
IN-convert .. ***



A man, poor old,
jumped to the ground crying,
to be weak and lost, because I had no consolation
.

sighs and perquisites, incontinence
La Vara,
raised his face, Father, pleading
save him.

- Thinking of The Kingdom, hidden
of eternal spring -
raised his hands, praying,
be with God, without penalty.


With great sincerity I sing this phrase, full:


let me water your plants with my poor shower!



But at the time, listened to his prostrate
, accurate: First

Waters Yours ...
Well I do not want to die!


Jesus Torres Cabezudo Spain, Alicante, September 5, 2009

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The "Caminito" Bomba Estereo

Recently, sniffing in the corners of the network, I found a list Colombian groups by cutting eclectic, and their proposals fusion , I seem interesting to re-publish and comment. Caminito, Bomba Estereo (not to be confused with the already published Caminito ever played by the teacher strip, and that is a clear allusion to Soda Estereo, Colombia, Argentina double bond) is a small sample of this sound incorporates the rhythms derived from the Colombian Atlantic coast plus a contemporary line includes fixtures and electronic, computer and more corrections in the most sophisticated studies.

accompanying tape is moved around the same trends: a looping constant daily snippets of Magdalena and her own myth. Is assembled to sync with the beat of the caller and the plunges of the madmen who are stuck in the river. " And always accompanied by the ruins. Palpable ruin, living force, works as a backdrop and protagonist simultaneously. Serves as a backdrop, the horizon and support, but is also part of the dynamics of the video: interacting with the elements and provides a framework and ambience specific. Anyway, here I leave Stereo Pump Caminito.

Filmed in Puerto Colombia, Atlantico, as the youtube channel: "The Forgotten" Puerto Colombia ", a place where it entered the late modernity to Colombia. .. "

Music: Bomba Estereo.

Video: Simon Hernandez Estrada.

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Shahar and exposure of the "first modern man" in two hours

Spinoza, Perlin Kircos

I remember not long for one last conference without any of my classes at the University of Florida . Was given by Galil Israeli Shahar distinguished professor, and his topic was briefly exposed to the Treaty theological-political and Baruch Spinoza's Ethics. Enough to start, since it only had two college hours to try to "make something" imprinted on the minds of the unsuspecting audience.

Reading the subject began to recognize as Spinoza's personal experiences were reflected post in his work, especially in his most political. Remember how the same Spinoza, a Jew (specifically pig) who works in a very Protestant Amsterdam and who was coming to an early illustration, represents a dichotomy between Judaism (secret and therefore real) and the environment officially Christian (of required Yards ) where he developed his treatises. His expulsion from Kehilla his excommunication because of his attacks but his religious texts and inflammatory work his criticism on the traditional biblical interpretations have led many scholars to regard him as the first modern Jewish.

proposisiones the first study of its Ethics and the subsequent verification of the existence of God through the use of purely rational and logical tools. Although the progression of prepositions and axioms trying to prove the existence of God as "a substance consisting of infinite attributes" seemed a bit cumbersome at first, it is possible after a moment of analysis, reach a state where enunciaods seem more clear and you can see, even well above, an accurate logic that works in parallel to each argument. It's a bit complicated because each proposition is built on the logic of the foregoing. As in a number of structures that form a unified proposal on making the whole proposition of Spinoza's ideas. In this way, Spinoza creates a system through Aristotle's syllogistic logic. His proposals do not conflict with each other, on the contrary flow from idea to idea and so, in affirmation statement the reader is guided to the last and most importantly where it is found effectively "the existence of God." The implications of these inferences are very important because Spinoza leads the reader to conclude that "God is immanent and not outward, and that He dwells within the same system." Thus, the perspective of both Christianity and Judaism is in between that as this juxtaposed against the ideas of Spinoza, who in turn cast doubt on the God beyond, the God of the afterlife, the God who works outside the system.

This important work transferred to the God of "The God of revelation" the God of philosophical substance, of a theological monotheism to monism philosophical discourse of blind faith to the discourse of logic, reason, but in more general terms of teleology to mechanism. After Spinoza there is no telos the existence of a direct relationship between God and humans. The new discourse takes the form of a mechanism and leaves after a reason justifies human existence. The idea of \u200b\u200bcreation of man by God becomes an illusion. As early as Spinoza observed in construction A diagram and a basis on which the Enlightenment and modernity will be settled later.

After a short break we resumed the discussion, but to discuss another book of Spinoza. The new topic was to study the first chapters of the Treaty theological-political. The idea that most impressed me was the following. Professor Shahar explained how the central government should abandon the discourse of fear and manipulation and adopt one that holds the virtues of freedom, reason and tolerance. Some years ago the English Hobbes suggested that, when speaking of a social contract the state could exercise sovereign authority but abuses of power would have been inevitable, and these should be accepted as the price for peace. Spinoza argues very dissimilar. He advocates a regime based on reason and tolerance. Thus, this mechanism can not endanger the order of society, but on the contrary, the recipient's progress and prosperity of society. This set of ideas established the importance, at least in theory the public sphere and civic institutions such as Parliament, the journalistic mission founded on pluralism and religious tolerance and civil.

Spinoza's criticism, attacking the regime based on fear, extends into the religious sphere. Spinoza methodically studied this system of domination based on superstition, ignorance and fear. Spinoza uses the figure of the prophet as one who is carried away by the imagination as much as for its conception of divine revelation. For Spinoza, the discourse of prophecy is the speech of the imagination. This deconstruction of the prophetic you can interpret the Holy Scripture as a great work of literature. In addition, there is a dialectic between the prophet, a man of revelation, lawgiver, and patriarch, and the philosopher, known for its thought rational and systematic inquiry. Professor Shahar added: "The philosopher is better than the prophet because they are not caught up in ecstasy or aesthetics. The philosopher reveals the divine structure (the god of logos , void of any religious symbol ), the necessary universal law of human behavior. On the contrary, the prophets of the past were not reasonable enough, in this sense St. Paul is better than Moses. " The reason for these statements is based on the idea that the philosopher is one who studies these complexities and uses tools and razonales methodical, and this, to formulate a well-defined model of how society would have to contain and hold elements of different faiths and simultaneously work effectively and peacefully. The prophet, on the other end of the political spectrum, is guided by his epiphany and revelation is derived, according to Spinoza, for his imagination and sense of beauty. Spinoza is a cornerstone in the Western philosophical study, influence on his contemporaries and susesores, and required curriculum of religious study and philosophy, the Sephardic Jew is a key point when trying to define terms open and complex as modernity, atheism, hermeneutics, the prophet, etc.

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university 3 haikus for a rainy trip through Florida

as straws

and fighting the wind

trees tremble

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English verbs

to hide them

other sounds

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cold mist

from the diffuse sky

undone all

Juan Felipe Hernandez

Gainesville 2009

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degenerate art by the Nazis [attack and contradiction]

This short letter in my files I had rested for several weeks without special occasion for publication. Now, with the controversy raised by John and his concert in Cuba, I thought maybe recover her good memory about the experience of modern art under the Nazi regime. We'd argue about Juanes and other artists to give concerts and presentations in common soil. So remember a fraction of the experience of artists under Fascism is also to expand and contribute to the construction of what Gerardo Muñoz called the "total landscape"

________

Ludwig

Gie Christ Crucified (1921)

Below there is a note annexed by the Nazis ridiculing the piece "the horror graced the Monument to the Heroes of War"

This image opened the exhibition Entartete Kunst organized and sponsored by the "House of Culture of the Reich" of Hitler in 1937. The exhibition Entartete Kunst Degenerate Art or not the meeting was more than painting and sculpture considered as parts of the Reich "corrupt and polluted." Objects, according to the criteria of the Reich, who had no place under the new mentality of the German man who was in the process of manufacturing: this mentality include a return to traditional values, the proper and dignified place of the German woman, " blood and soil ", militarism and obedience among others.

Since 1933, Nazi officials had begun their campaign to rid of all the artistic expressions and harmful foreign elements for the German Volk. The most common categories under which these negative influences and foreign accommodated were the same suspect. On the one hand, according to the clarification of artistic movements: works given, cubist, expressionist, abstract (almost all modern art). Moreover, the influences of racial nature, any trace of a trend: Jewish, Roma and African. Were organized to control Josef Goebbels, several chambers of art, Reichskulturkammer , responsible for all the museums of Germany and Austria in order to "purge" Germana aesthetics of any of the above mentioned influences. More than 5000 paintings, sculptures, illustrations and books were collected from 32 museums. About 1000 paintings by Emil Nolde, about 800 of Eric Heckel, and 600 of Ernst Ludwig Kirchner, German Expressionist movement and affiliated with Die Brucke.

Similarly works by Picasso, Matisse, Van Gogh and Chagall. So were collected objects that were going to be the heart of the exhibition Entartete Kunst. The building which housed the exhibition belonged to a school where classes are taught previously archeology, was characterized by low input and narrow staircases-escojencia of Goebbels, as "for a larger building if parts should be in the cart garbage "

The first image that the viewer received when he reached the second floor of the Crucified Christ was Gie. Considered by the Nazis as a visual horror, it was chosen to produce a shock, a first impression on visitors. But something interesting happens with regard the figure of Jesus in the Nazi ideology. According to Reich, the German nation must rise up and re-appropriate their own traditions, we know that emphasized the Aryan element, Christianity over Judaism, and Greek and Roman heritage as the basis of a great Germany. According to this line, the church had to take its proper place, and the figure of Christ was re-established to deny (or eclipse) the validity of the individual Jew as part of this great nation. But Jesus was not a Jew at the end-over? If emphasized race and religion above all else, it was problematic that the messiah of the religion was part of the same tribe as the Reich and the loathed German people should be removed? It is said that this theological conflict was never fully resolved in the Germany of Hitler.

The same exhibition was an example of political propaganda of the second category. In that small space the 5000 pieces were dumped without any attention and without considering any kind of respect for the dignity or the wishes of its author. Part of the collection was stowed against the walls in an attempt to produce an atmosphere of chaos and represent the incomprehensible and repulsive of modern art. Other objects, paintings and illustrations, hung carelessly, had no frameworks and sometimes just idling of an improvised thread. Some Nazis were concerned to write short notes ridiculing the intent and meaning of the work: "Trick the Divine insolent," "insult to German Women," "deliberate sabotage against the national defense," [Nature] from point of view of a diseased mind. "

Many of the artists considered to be ill and unfit for the New Germany sought refuge in various countries. Others preferred to stay in Germany and work under the most stringent and repressive censorship Nazis, others, like Kirchner, took their own lives. Max Ernst and Paul Klee took refuge in the United States and Switzerland respectively. Emile Nolde and Edgar Ende decided to adapt to new conditions of Nazi Germany and sought refuge in the German countryside regions. Constantly monitored by the Gestapo, were forced to take extreme measures. A Nolde, was banned from paint and paint materials purchased. It decided to paint with watercolors, as they do not have a smell as piercing as the oils and their neighbors could not smell it or give him away.

much we would like to condemn modern art as part of a Zionist and Communist conspiracy to attack the German people or criticize the authorities more modern trends such as aberrations and signs of decay, the exhibition served, in part, to promote the very thing that the Nazis wanted to expose and destroy. It is estimated that the exhibition of Degenerate Art visitors went three times that of the traditional Grosse Deutsche Kunstausstellung (Great German Art exhibition) representing the ideal art according to the criteria of the Nazis and agencies was set up to show and teach the German people what was the real art. The role of exposure Entartete Kunst even studied and planned to produce a collective response on modern art, was also curiosity and feelings mixed in many visitors. You could say that somehow it was counterproductive for the regime and its new criteria vis-a-vis the role of the arts in the Nazi ideological framework. The responses continue to be heavily politicized in the following decades with the question, not a little complicated, "what is art and how it benefits / harms the system."

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Some images of the exhibition Entartete Kunst

Hl-dt-st Dvdram Gh40f

Angel González, 2007

cutting and assembly

lines of their madness

the old poet

Juan Felipe Hernandez

Gainesville 2009

Position Of Cervix In Early Pregnancy

Haiku for Angel Gonzalez in Havana A Paisa (hate communist Miamiense and advertising)

Juan Esteban Aristizábal in Havana

Juanes Havana offers a presentation as part of its series of concerts Peace Without Borders.

I recently read items from a heated condemnation of the presentation, punctuated by patroticas passions and full of derogatory terms, to encourage the singer views and welcome the initiative. Several Cuban writers in the blogosphere are radical and strong line of exile in Miami. Juanes berate the fact that singing in the Plaza of the Revolution and call it "puppet to the Castro regime." He was also attacked for its lack of commitment to freedom of the people of Cuba, for its propagandistic zeal to capitalize the word "Peace" and his use of a message called "apolitical." Cuban exile and his spokesmen offer you Juanes to sing in their own land and preaches peace among his countrymen, but starting with the remote jungles of Colombia and the Mono Jojoy as guest of honor in the front row. He was branded a fashion plate for the promotion of revolution. He has been called as a character outside Cuba and its history, an artist disrespectful and ignorant. Ninoska Perez, Executive Council Freedom to Cuba adds that the Cuban people need democracy and solidarity, not a concert that ignores 50 years of oppression. Juanes sentence for not taking a firm stance and rejection of the Castro regime and added that he does not, becomes an accomplice. That sounds as a kind of revolution in reverse, or you're with me or you are an enemy more. Something roughly like, especially with the opposition and nothing from communism.

On the other hand, voices of support and admiration also resonate from various angles. And as to enlarge the break feature in the view of the Cuban people, many of those who are exiled Miamienses recommended. Cuban exiles, of course, but also the rest of Colombia and Venezuela in Latin America, those who argue the use of a vision for the future and a future under the banner of music. Juanes himself defended his point by adding: "We must open our minds to the Cuban people so that they do the same to us. Forget politics and tendamosle hand and the people of Cuba." According to the promoter of the artist, "The concert will be a live target for Cuban civil society. A peace concert." Juanes has become a perfect target for the more radical elements in South Florida and the rest of the world. Now, the artist, who lives in Miami, involves more hostile reactions Miamienses Cuban him loose in the face, as he walked down any street in their daily lives. Even his wife Karen have been affected by the attitudes of the most reactionary sections of exile. In places as varied as a supermarket and casual insults and attacks have not ceased.

However, the cards remain on the table and as things stand, September 20 (day of great symbolic value, it is the international day United Nations Peace), the artist is present in Havana paisa. Points also remain the same. The most outraged Cuban exiles are correct in arguing that the artist will be used as an advertising and promotion of revolution. Communist Youth groups will be placed in the front row and arranged to give the image that best suits the regime. The communist propaganda machine, playing with all you have to impress overseas to set up a puppet rack and arrange a play, lies, half truths and distraction. They also are right in denouncing the format apolitical concert. Recall that under this system of norms and cultural symbols, even though you try, nothing comes to be apolitical. Everything carries an inherent meaning and is drawn as a symbol for something else. The concert apolitical, in fact, does not exist.

However most of these writers, sins by virtue of his statement. The situation with anger and rage, frustration and sadness is so great that happens to influence the words of the exiled master who wants to express their discontent and their opposition or wisely n and reasoned. I have read, for example, in a very famous blog of a Cuban writer based in Paris, the words of larger span, a tone too passionate (Dionysus) and if it can decipher between the lines, a rough sense of rage and hatred artist country and those who encourage it. In this way, the point of exile, self-transverse to desvalidarce part and issue statements that will undoubtedly go beyond the views of the majority of Cuban exiles. Of course, none of this is new. Back in the eighties and nineties several Cuban artists who wanted to make a stop and an appearance in Miami, or have been boycotted and slandered with allocations of criminals and murderers, or have been convicted and denied permission to carry out their shows.

The proposal of some bloggers to send Juanes to sing in the jungles of Colombia, Juanes also fails because, along with other outstanding amount of Colombian and international artists and sang in the most remote parts of Colombia. True, Colombia needs peace, but freedom in Cuba and in exile, freedom of dissent and tolerance. Concert enthusiasts are right in wanting to communicate that the presentation is an opportunity to bring the Cuban people forget a little joy and some quality music and news. In addition, John has a long history very active against landmines, and against the FARC. Juanes not wake up one day thinking about Cuba. His activist work takes years and has put in front of assemblies International and European Parliament. The presentation in Havana was only a matter of time.

If the presentation is carried out successfully, the concert series will honor its semantic structure, "Sin Fronteras." Without borders because not only geographical boundaries but breaking the paradigms that play consecutively in the mind of the individual who is part of the group called "exile." The concert will, in fact, without borders because it has penetrated the rigid capsule standardized to think of this trans-national group and will be able circumvent the order of ideas and values \u200b\u200bthat emanate from the heart of exile Miamiense. Without borders, because neither the communist ideology prevented the artist singing where deemed necessary. More Juanes merit even for its proposal, taking into account their physical point of enunciation.