reproduce a portrait, a peaceful and detailed look, perhaps a long period of silence and concentration in the Prado. The great Mutis, staggering from the stunning and sensual innocence of the Infanta Catalina prints some lines and attached to its bundle of letters. Months later, the bunch charge as a book and published under the modest name of no Regia Chronicle and Praise United . In this volume, the poet of the hot, forget a little of his beloved Tolima and Coello, to elaborate on the theme warrior monarchy, in the golden Byzantine and English royalty.
RETURN TO A PORTRAIT OF THE CATALINA MICALEA Infanta, Daughter of King Philip II
some Malicious wonder in his eyes,
strabismus with even offers us
the stigma of the elect,
something in its strong transport between Andalusia and Tuscany
I stopped halfway
and only gives me the occasion to praise
from the reverent distance from these lines.
well not hide the fire of their dreams,
the proud carriage of his head alert
erect or neck caught in the white ruff,
nor mourning dress that encircles her waist.
Nor courtly air of mourning
manages to hide the traces of his blood Valois
cloudy sap mixed with Florentine.
Death has to take when
thirtieth anniversary. Ten children gave her husband
the Duke of Savoy. It was tender with his father
and Turin remained a English queen.
lathe to look at the canvas he painted Sánchez Coello
when the princess had not yet eighteen years
and invade me, as long as I come to visit
Prado to this corner of the guard.
nearly anonymous in a modesty, a desire to fool
removal from the lethargy of centuries world
and take the arm and invite them to lose
in the maze of false a summer without end.
Regia Chronicle and Praise in the Kingdom.
Ediciones Cátedra, Madrid, 1985.
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