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The Smetana Vltava

The Vltava is the second in a series 6-Smetana symphonic poems he dedicated to his home region, Bohemia. The Vltava in Czech Vltava River appointed , describes the environment and natural surroundings of the area, focus on the structure and character of the piece. I choose the Vltava the entire collection of 6 poems, Má vlast , My homeland, because they are musical elements and resources Smetana lightly used to describe the mythology surrounding the famous river and that was perhaps one of my first contacts with the music of the great Smetana. It was perhaps the most nationalistic piece I remember hearing a early age, of course, the second after the anthem of Colombia and the barbarian hymn of Santander. As a curiosity, any resemblance to the Hatikva Israeli is more than coincidence. Smetana was based on an old song of Italian Renaissance building vertebras Vltava : similarly, the Israeli national anthem is based on symmetry parallel to the ancient melodic line.

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* Poeta De Torres WISDOM




WISDOM * Poeta De Torres

On a whirligig, tomato,
down an electric cable improvised
to appreciate the taste and take
quiet clean power into the stew.

vegetables that the field of this World,
resurfaces in virgin forest or crop,
are unprecedented miracle, incomprehensible, already accepted
Brother Primitivo.

At many of the edge of the night,
the heat spreads to infinity
and instantly, an invisible liquid, printed
the living with their rite.

lineage has hands and teacher,
because instead of eating the stars,
chews, sweet flesh of living with his teeth rehilantes
maidens.

The monkey stands behind the leaves,
in steep tree house;
huddled with his wife and children asleep
nervous and off.

Good afternoon, Don Pepe, says John,
how you go with your injured in the womb?
Well look ...
Flea Market and preparing the family dinner with great skill.

A wise man sat on a step,
studying why so serious evil,
a hundred years, without power
discover the source of mystery.

saw the beard brushing his lapel,
his skin like a desolate wilderness, sunny eyes

roaring and twisting and finishing power.

So took pity on his soul,
desire to become a poor clay,
sadness of living and being born,
he could not, any more, pull the car.

A light, like lightning glorious
brightened, suddenly, his figure
telling to do in these cases
and strongly pushing for a fortune.

in the wall, giant letters,
wrote what he heard in his soul:
not continue studying "The What and The How"
live the moment with love and calm.
was Wisdom who invaded.
sending God, that everything can:

"Make the Man born
Nothingness and welcome you, then In Your Residence "


Jesus Torres Cabezudo Spain, Alicante, 24 September, 2009

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Totalitarianism (dossier) in EI

Dear readers, from the middle of a cold war against intrusive and more stringent closure that prevent the spread of malicious viruses, I attached the link of the dossier of "Music and Totalitarianism," which was published three days ago in Emilio space Ichikawa. Gerardo Muñoz, close friend, has taken the initiative collect a range of views on Juanes concert in Cuba and has proposed to his closest friends to create a form letter for this project. With voices as diverse as Sprinceana Iulia, who writes from Romania or Romy Sanchez, a young Cuban who writes from New York, the dossier is not intended to fill all the spaces have not been filled in over a month of debate and controversy, or much less take the dispute to the level of students and extend it with our own voices. What the project aims is to form a collection of notes very personal and very different that can complement and enhance each other. Hope you enjoy it.

Link to Emilio Ichikawa

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Re-creating a portrait of the Infanta Catalina Micaela, by Alvaro Mutis

reproduce a portrait, a peaceful and detailed look, perhaps a long period of silence and concentration in the Prado. The great Mutis, staggering from the stunning and sensual innocence of the Infanta Catalina prints some lines and attached to its bundle of letters. Months later, the bunch charge as a book and published under the modest name of no Regia Chronicle and Praise United . In this volume, the poet of the hot, forget a little of his beloved Tolima and Coello, to elaborate on the theme warrior monarchy, in the golden Byzantine and English royalty.

RETURN TO A PORTRAIT OF THE CATALINA MICALEA Infanta, Daughter of King Philip II

Something is in the lips of this young lady,

some Malicious wonder in his eyes,

strabismus with even offers us

absorbed

the stigma of the elect,

something in its strong transport between Andalusia and Tuscany

I stopped halfway

and only gives me the occasion to praise

from the reverent distance from these lines.

well not hide the fire of their dreams,

the proud carriage of his head alert

erect or neck caught in the white ruff,

nor mourning dress that encircles her waist.

Nor courtly air of mourning

manages to hide the traces of his blood Valois

cloudy sap mixed with Florentine.

Death has to take when

thirtieth anniversary. Ten children gave her husband

the Duke of Savoy. It was tender with his father

and Turin remained a English queen.

lathe to look at the canvas he painted Sánchez Coello

when the princess had not yet eighteen years

and invade me, as long as I come to visit

Prado to this corner of the guard.

nearly anonymous in a modesty, a desire to fool

removal from the lethargy of centuries world

and take the arm and invite them to lose

in the maze of false a summer without end.

Regia Chronicle and Praise in the Kingdom.

Ediciones Cátedra, Madrid, 1985.

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The murder of Moses and Monotheism import; psychoanalysis of religion

This short letter was in response to the exposure offered by Professor Eric Kligerman during the last semester in the department of secular Jewish culture teacher Kugelmass.

Moses and Monotheism

of Sigmund Freud is written in a dense, rich interdisciplinary connections, links speculative and framed in a historical period, Europe, 1939, very interesting. You can see that Freud's intentions go beyond the formulation of counterfactual questions about the birth of monotheism and the nationality of Moses. Their task is to apply psychoanalytic methods to study the earlier stages of the Jewish faith and thus help explain some of the many patterns of trauma, the connection between Judaism and totemism, the mystery of guilt with the murder of the primal father , then the murder of Christ, and how they are related to the development of Christianity. Freud is vital to the concept of distortion ( verzerrung ) than in the original, in German also means defacing, removal, Shifting. To adequately address the traditional narrative presented in the Bible, Freud need some tools that could be used to build this new Genesis de la religiones monoteístas. Freud comienza por utilizar el concepto de distorsión para argumentar que la Biblia, como la conocemos en el estado actual, es el producto de innumerables alteraciones, y que el texto, a su vez, no es puro, ni inspirado por el divino, sino mas bien está sujeto a numerosas interpretaciones: errores de traducción, omisiones, atajos gramáticos, y otros accidentes que con el pasar de los años han sido reconciliadas, incorporadas y asimiladas dentro del gran marco del texto. Como resultado, obtenemos un escrito tan desacertado y modificado que presenta a un Moisés longevo y que muere a solo metros de alcanzar la tierra prometida de Israel. Para Freud, nada pudiese estar mas lejos de la verdad. La figura Moses, in fact, is composed of the existence of 2 men who lived during different periods of time and had a major impact on the lives of the Israelites, but that they did not even know and who contributed so very dissimilar to development of the Israeli experience. Moses was the first shaping the idea of \u200b\u200bmonotheism during the eighteenth Egyptian dynasty (the Tutmosiana) - and brings from his homeland to offer it to the Jews. Moses was the first who frees his brothers Hebrews from Egyptian bondage. There Moses is attacked by his own people since the myth of the primal father's murder case and sits in the memory of the children of Israel. Freud argues that this event serves to unravel the hidden trauma, repression, and repetitions that assault the unconscious of the group.

In the second part of his essay, Freud meets to discuss the influence of a great man and define what a great man that says it is just the sum of aggressive impulses to act but a brilliant intellect, has a profound impact on the destiny of a people, whatever. As an example, Freud uses to Moses and the legacy that he left the Israelites, Moses was able to create a system in which the god of the Israelites was invisible, odorless, nameless (because he had no particular name) not needed symbols or images to receive worship, a sort of minimalist approach to reduce the worship of the cult, and the creation of an excessive folklore around his name. This is how over the centuries and the application of rigorous study dedicated tradition of this god, Freud presents a triumph of spirituality over the senses. That is, a metaphysical triumph over sensory experience. Subsequently, through the accumulation of centuries of philosophical questions would develop a triumph of reason over spirituality. But not to enter into extensive discussions on these susecivos paradigm shifts, let's just follow the line of Freud vis-à-vis the first exchange: sensory versus spiritual. Using his terminology, a super victory the collective ego. Subsequently, the relationship between God and the Israelites, a pattern develops into instinct renunciation and rises to the idea of \u200b\u200bethical perfection. Freud argues that this "evolution" of religion, parallel according to the natural evolution of Darwin, has produced an admirable belief in a divine overwhelmed by reason and science. "

repression of instincts and impulses partners, which will in turn gave way to the appreciation of intellectual work and the fruit, but the concept of the chosen people (Together with its implications of being single and the responsibility to comply with an agreement), were decisive in laying the early structures of that much later would develop as fundamental concepts, first in the Jewish religion and later in the Crsitianismo and Islam. Upon reaching the last sections of his book, Freud returns to the ideas of repression, the historical distance of the period and the mechanisms that contributed to the formation of this neurosis property of the Jewish religion. One point that is most striking here is the fact that although there is no evidence that would confirm the murder of the primal father, Freud insists that if there is a trace that extends over the centuries by the plane of time and lives in the Jewish subconscious and more importantly, it can be represented in what we call tradition. In other words, the various rituals and celebrations typical of Judaism are only replicas of fears and latent traces (marks or scars maybe) that occur and have impact on the Jewish experience throughout history. The study of Moses and Monotheism is of importance due to its wide range of issues to consider, the depth and originality of his theories that cross traditional disciplines and to reveal Freud's thinking about political events in continental Europe during his writing , and his thesis on the formation of the monotheistic religions.

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The Jewish Cemetery [article in espectador.com]

Re-produce a short article of interest I found in the Colombian newspaper El Espectador . The Curious Case of Bogota that be suddenly dismissed by his construction company run into more elaborate work (yet stable) of his life, Edilberto Perez is the Hebrew cemetery guard South.

The need and working conditions forced him to live with and deceased (during his first weeks at least) to spend long nights of anguish at the mercy of night sounds, the darkness of the land and the solitude of the cold marble. The experience of a Colombian Catholic and current care, sweeps, and shines the gilded Hebrew letters the Jewish cemetery Bogota.

Jewish Cemetery

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FIRST
Water your plants * Poeta De Torres

Mister Big Dire Of Everything ,
with his assistant Don Pilla,
lost in the corridors of a mansion
their villas

Pilla, do not you have plans?
then, for a time here,

not find the toilets and I'm breaking ..

My Lord, do not worry, Sister
below this box,
that comes from auctions,
can leave large talc.

addition, whoever you are, rich
improvisation
keep it between her jewelry and diamond
lemon .. ***



This happens in this world with thousands of millionaires
,
that
all they want is to live, well, many years.

And today, people
normal, ordinary,
are faring very badly to see luxuries are
IN-convert .. ***



A man, poor old,
jumped to the ground crying,
to be weak and lost, because I had no consolation
.

sighs and perquisites, incontinence
La Vara,
raised his face, Father, pleading
save him.

- Thinking of The Kingdom, hidden
of eternal spring -
raised his hands, praying,
be with God, without penalty.


With great sincerity I sing this phrase, full:


let me water your plants with my poor shower!



But at the time, listened to his prostrate
, accurate: First

Waters Yours ...
Well I do not want to die!


Jesus Torres Cabezudo Spain, Alicante, September 5, 2009